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Beijing Old Brand "Shuang Shun" Watches Cheongsam For 60 Years

2008/11/12 9:47:00 24

Ms. Shuang Lu, a third generation successor

Whose family is that?

And put on the long lost cheongsam.

Walking like a dragonfly, walking through the bridge in front of the door.

The small, drooping forehead was full of watery shyness; the high bun looked so beautiful; the round high collar could hardly hide her pride; the linger curve was even more enchanting; and the high fork, in the casual scene, implied her waves of spring.

This is a poem written in Qipao. When reading it, our hearts become soft. What does it look like to design and make cheongsam?

We visited the top cheongsam production workshop, "Shuang Shun", the third generation of descendants, Luther and her 110 cheongsam designs.

In a few bedroom and design rooms, golden yellow light streaks through the southern windows and sprinkles on the white face of Lu De researcher. The 75 year old man wears a short Chinese coat with his own design. The buttons and the matching buttons are set against the sun. The contrast between the bright and the dark reveals the charm of the learned and experienced old artist.

Cheongsam has been in fashion for three hundred years. It has had a high tide and a low trough. Now it should be its hard time.

Lu Lao himself designed 110 sets of cheongsam and displayed in his own house to show people the origin, evolution and innovation of cheongsam through vision.

These cheongsam is not only pleasing to the eye, but also makes you think about it. It is like walking into the social landscape of the late Qing Dynasty, the early Republic of China and the last century.

Cheongsam, as the dress of the eight banners of the Qing Dynasty before and after the entry of the Qing Dynasty, was not only used to keep warm and warm, but also a symbol of distinction of rank in the age of poverty and feudalism in the feudal society. Only the queen empress dowager, princess, Ge Ge and close servant girl could wear cheongsam. It belonged to the dress in the palace, the privilege of the upper class, and the ordinary servant girl and servant in the palace could only wear short pants.

Although the ordinary people of the country have no grades, they are rich, poor, and poor. The upper and middle families are simply dressed in cheongsam, but the fabric is very exquisite. Like the boss and the boss in the shop, they wear long gowns and coats. They can only wear short or long trousers of cloth or linen. They belong to short clothes, and more ordinary people only need to keep warm and keep warm.

In the 30s of last century, located in the Hutong of the porcelain Gallery of Beijing, there was a deep courtyard with a scholarly family, two dark doors, about a pair of copper rings, carved on the door with gold lettering, left on the left, "faithful and persistent" for a long time, and on the right side, "the book of poetry is the world's longest". Above is the word "entering and falling". Lu De's childhood was spent here.

Memories of childhood cheongsam: parents wear robes, gauze trousers and silk coats in summer. In the spring, they are woolen jackets and gowns, and winter wear silk gowns, fox fur robes and fox fur shoulders.

Wearing the most fashionable clothes, they need to count their 2 sisters. As the students of Yanjing Pu Ren University, they wear their cheongsam and wear their suits all the year round. They have all the silk and yarn of the cheongsam skin, and they are very particular about their workmanship. They are lined with teeth and all kinds of flower buckles. They are beautiful in appearance. They are long to the feet and have short knees. They have sleeves, half sleeves and sleeveless ones, and the small ones of the outer covers are woolen, woolen and fur.

The elder sister became the idol in her heart. She once made a silent wish to become a beautiful woman like them.